What Authors Can Learn From Book Reviews

Erie Insurance - What Authors Can Learn From Book Reviews

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I anxiously awaited the publication and posting of reviews for my new book following its publish and was quite pleased that the first seven or eight were very complimentary. I was basking in glory! Three years of study and three years of writing were required to produce the 320-page novel and I was very proud of the end result.

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Erie Insurance

Imagine my shock when a few negative reviews appeared on literary and book club websites. While you can't expect everyone to love your book, I was nevertheless surprised that several were downright mean and nasty, which contrasted so drastically with the first batch of reviews. After my anger and indignation subsided, I decided that my best policy of operation would be to analyze all reviews for anything useful data might be gleaned from them.

Given my long sense as a firm executive, I appreciate the value of market data and understand that its spoton interpretation be can applied as an efficient supervision tool. Victorious publishers hire such tools in the decision-making process and astute authors can manage their book promotion activities by similar means. Perhaps you're wondering why the author's chronic involvement in book promotion is so important? The write back is simple. Regardless of the size or prominence of the publishing house, when the author stops promoting, the book stops selling.

Book promotion takes place in a fast-paced, very competitive world and authors, as original book promoters, must react quickly to valuable new market data, along with book reviews. This is particularly foremost for novels, as those of lesser-known novelists compete directly with those of familiar novelists, development it imperative that the promotional attempt of the lesser-known novelist is targeted on the most receptive market niche.

What specifically did I learn from both convenient and unfavorable reviews?

The most coarse commentary was about the dialogue. To some, it was "dry and stilted." To others (the good educated, more sophisticated reviewers in my wholly biased opinion), it "sustains an climate that clearly places the story in a dissimilar era, giving the novel an unusual feeling of authenticity." Further, Craig A. Warren, Assistant Professor of English & expert Writing, School of Humanities & communal Sciences, Penn State Erie wrote "The now-stilted language of the nineteenth century is reproduced in the novel with care; to his credit, Jones does not succeed Michael Shaara in updating the verbiage of the war's participants." So I don't feel too bad about the dialogue complaints.

Several negative reviews cited the lack of "character development." Frankly, I refrained from indulging in frivolous character improvement because most of the characters were real people. I respect these historical personages and refuse to risk mischaracterization of them or progress their actions beyond what is really known, or can be reasonably assumed. Fortunately, I knew much about them from total research, so I was able to weave into the storyline a estimate of intriguing anecdotes and their own written recollections of what happened. My total goal was to portray the characters and events strictly in accordance with existing evidence or, at the very least, insure that there was no evidence to the contrary.

I also learned that my novel is a "fact-laden" historical fiction that doesn't appeal to fans (mainly women) of bodice-ripping historical romances. Conversely, even though my novel is historically accurate, I found that hardcore history buffs (mainly men) only appreciate non-fiction. It's indisputable that these two market niches occupy opposite ends of the American Civil War reader spectrum.

I closed that the largest possible market for my book exists somewhere in the middle, a wide niche comprised of men and women who, without preconceptions, might enjoy reading a determined researched fictional story, written with authentic period details, and based on real population and events. Realignment of all promotional activities toward this mom lode of possible readers became my immediate priority, as time and attempt expended on other niches would really provide a reduced return on investment.

What advice can I give to other authors?

Don't waste your time by getting angry or indignant over a few not-so-great book reviews. Learn from the reviews and focus all of your efforts on the market niche with the highest sales potential. You have a book to promote and only you can do it. Be proactive and keep on promoting.

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